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#PAINTING WITH ANALOGOUS COLORS PLUS#

Image from pixabay Split-Complementary Split-complementary schemes include a base color and two secondary colors. The gold and blue hues in Vincent van Gogh’s The Paris Sunflowers is a fine example of a complementary color palette. When placed next to each other, these colors create a strong contrast for a vibrant effect. Estudio del color Paleta de análogos y naturaleza muerta TALLER DE ARTE PARA JOVENES #coloresanalogos #analogiadelcolor #tallerdearte #artejoven #artemaschwitzĪ post shared by tallerdearte on at 7:19pm PDT Complementary Complementary color schemes include colors that are opposite each other on the color wheel. Be very careful not to overwork the project with too many details.PINTURA. Carefully, using the QTip, draw lines, small shapes, and dots to embellish your scenes. Two students can share a set of silver and gold paint. Squirt just a quarter sized amount of paint into the salsa cup. While students are arranging and glueing their collages, the docent should be preparing the acrylic paint cups.When the student is happy with the composition and it has been check by you, they may glue it down. Add details by layering small strips and shapes on top of the the buildings.Make sure the bottoms of your buildings line up with the bottom of the card stock. Make one building quirky and stand out by using a contrasting shape (organic) or an unpredictable size. Think about cutting one of your strips in half vertically to make “twin” buildings.

Trim the sides of the building to create narrow strips for details. Cut the tops of your buildings at interesting angles. Make horizontal cuts to your strips to create your buildings.

#PAINTING WITH ANALOGOUS COLORS PLUS#

Students will need to get about 2 buildings in different heights and widths, plus a few extra smaller pieces out of each strip. It will take about 6-7 buildings to get across the black card stock and additional pieces will be needed for details.

Students should write their name on the back of the cardstock with a pencil–taking care not to press too hard.

Do the best you can to guide the selections to ensure all students have the opportunity to select analogous colors. These three colors should form an analogous color group.

2 strips of textured card stock and 1 strip of glitter card stock.

When they are waiting to select their card stock they should be thinking about which analogous color groups they are going with.

Dismiss students in small groups to choose their card stock.

**MAKE SURE THE COLLAGE IS COMPLETELY LAID OUT BEFORE THE GLUE COMES OUT** Today we’ll be using mostly lines and geometric shapes in our compositions. Shapes can also be organic: leaf shape, blob shape, flowing shapes. They can be geometric: Squares, circles, and triangles. Shapes are always flat, or two-dimensional.

Lines can be horizontal, vertical, diagonal, straight, curved, dotted, broken, thick, and thin. In the Matisse project we focused mostly on organic shapes, today we will focus on lines and geometric shapes. Can you name the analogous colors? Are the shapes mostly geometric or organic? Look at the painting below by Vincent Van Gogh. What are analogous colors? Analogous colors are groups of colors that are adjacent to each other on the color wheel. NOTE: Black, white, greys, and beiges are generally considered to be neutral colors, or “without color”. glue sticks (check with teacher to see if they have in the class room).

1 bottle each of gold and silver acrylic paint.1-pad of glitter card stock, pieces removed from pad.1-87 ct pad of 2×12 textured card stock strips, pieces removed from pad.For each 4th grade class the docent should gather the following: However, these simple materials are a little pricey, so it is important that you follow the specifications to make sure there is enough material to go around to all students. The materials for this project are very simple: 2 different sizes of card stock, glue, & a small amount of acrylic paint. In this lesson, students will use textured card stock in a collage style cityscape detailed with metallic paint with a focus on analogous colors and geometric shapes.